Quasi-Experimental Designs Essay - 702 Words

Quasi-Experimental Designs Milagros V. Mercado Walden University PSYC-3003-12 Methods in Psychological Inquiry Instructor: Meredith McKee 09/28/2011 Quasi-Experimental Designs According to (Stangor, 2011. pp. 274), quasi-experimental design is employed when there are two groups of people that cannot be assigned randomly to other groups. Also, in this type of design the variables cannot be manipulated as they would be in other types of experiments and the variables are measured rather than manipulated, (pp.274). In this case, there are four different studies that are important to assess as to their variables and how they would work. The first study that I chose is study one that demonstrates that women perform more poorly, on†¦show more content†¦In addition, the intended outcome would be that women would perform higher on the mathematics section after they had the tutoring. Boyd (2002), states that this would not be a true comparison group because the research participants are being compared against themselves. However, this would be in addition to the first experiment. Furthermore, the second study I chose study two because it demonstrates that lower-socioeconomic-status students benefit more over time from an academic tutoring program than do higher socioeconomic-status students. I would think this would also be true and would like to know more information on this one. The independent variable is the socioeconomic status of the students. The dependent variable is the tutoring program and its effect on performance. Another alternative research design that could be used to gain more information in this study would be a case study design. In this study, an individual could be chosen to research that was in this particular study. The purpose of the case study would be to understand the environment in which the individual grew up and how it has affected their ability to learn. The case study may provide insight into how lower-socioeconomic-status hinders the individual and perhaps why the academic tutoring program is successful.Show MoreRelatedEssay on Experimental and Quasi-Experimental Designs679 Words   |  3 PagesExperimental designs Experimental designs are viewed as the most accurate, and most demanding of research designs, requiring strict attention to rules and procedures. Researchers use these research designs to manipulate and control testing procedures as a way to understand a cause and effect relationship. Commonly, independent variables are manipulated to judge or decide their effect on a dependent variable (Trochim Donnelly, 2008). In order for an experiment to be considered aRead MoreDifference Between True Experimental Design And Quasi Experimental Research Design1064 Words   |  5 Pages Explain the difference between true experimental design and quasi-experimental research design. Provide examples. Quasi-experimental research designs and experimental research designs both have one aim, which is to test a casual hypothesis (UNICEF, 2014). A true experiment can be defined as testing a hypothesis with randomly assigned groups, where as a quasi experiment can not, so it is simply an experiment that isn’t a true experiment (Kowalczyk, 2015) The main difference stems from the randomisationRead MoreExperimental And Quasi Experimental Research Design1582 Words   |  7 Pages Research Configuration: Research design can be categorized into two sections including experimental and quasi-experimental research design ((Soy, 2015). In an experimental research design, the researcher needs to assign the subjects based on random selection. The subjects are assigned to particular groups for a different level of treatment. On the other hand, the quasi-experiment design suggests a process where the researcher avoids randomization, as the subjects are not selected randomly. TheRead MoreCorrative Research Design And Quasi-Experimental Design1316 Words   |  6 Pages The strategy behind this design is that with the quasi- experimental design and the use of a longitudinal design there would be a better collection of data because it would provide an idea of when bad parenting affects the child and the child starts acting in a delinquent manner, and also it would show if the delinquency follows to their early/ late teen years in high school. For the purpose of this study, the group of individuals being studied would be the children that have turned delinquentRead MoreExamination of Delphi and Quasi-experimental Research Designs1708 Words   |  7 Pagessolutions for known problems. The Delphi and quasi-experimental studies provide examples of research performed in library science. The Delphi Study The Delphi study was developed by The RAND Corporation in the 1950s for the Air Force and was primarily used to forecast future events based on expert opinions (Wildemuth, 2009). Delphi studies provide an alternative to the traditional round-table type discussion (Cypher Gant, 1971). The Delphi design depends on three components: anonymity, controlledRead MoreDifference Between True Experimental And Quasi Experimental Research Design1070 Words   |  5 Pagesbetween true experimental and quasi-experimental research design. Provide examples in your answer. (265 words) True experimental and quasi-experimental research designs are the two most common forms of research design. While they both share similar elements, such as measuring participant results to test the hypothesis, there are also significant differences between true experimental and quasi-experimental research designs (The Regents of the University of Michigan, 2013 ). True experimental researchRead MoreDifference Between True Experimental And Quasi Experimental Research Design Essay1169 Words   |  5 PagesPSY201 ~ Assignment 2: Short Answer Quiz Question 1 Explain the difference between true experimental and quasi-experimental research design. Provide examples in your answer. (285 words) True experimental and quasi-experimental research designs are the two most commonly used types of research design. They share some common characteristics such as measuring collected data to test the hypothesis, although, overall there are many differences between the two, especially in regards to the type of researchRead MoreDesign: A Quasi Experimental Design (Study/Control) Was1406 Words   |  6 PagesDesign: A quasi experimental design (study/control) was utilized to examine the effect of using risk reduction intervention to reduce risk of osteoporosis and osteoporotic fracture. Setting: The study was conducted at the outpatient clinics in Menoufia University Hospital, at Shebin El-Kom City, Menuofia Governorate. The University Hospitals was selected because of the considerable number of people at high-risk for osteoporosis attending to these outpatient clinics (1500) patients every month. AlsoRead MoreA Research Study Uses A Pretest / Posttest Quasi Experimental Design807 Words   |  4 PagesMethodology Research Design The research study uses a pretest/posttest quasi-experimental design to determine if anger management group work with court-mandated Domestic Violence Offenders (DVO) decreases aggressive symptoms and domestic violence recidivism rates. This data is collected from the Center of Children and Family Services in Hampton, Virginia using the Domestic Violence Inventory (DVI). The offenders will complete a DVI pretest, receive the group intervention, and then complete a DVIRead MoreQuasi-Experimental Group Design To Compare Recidivism Rates Of Opioid Offenders?892 Words   |  4 PagesMethods Research Design The current study will utilize a quasi-experimental group design to compare recidivism rates of opioid offenders in drug courts compared to offenders on probation. Since, random assignment to control and experimental groups are not feasible, the two groups will be matched on various demographic characteristics as well as the current choice of drug. The data will be collected on all participants that have entered the Brooklyn Treatment Court, NY (BTC) in the second judicial

Frankenstein - 1237 Words

Literature: Frankenstein Essay Frankenstein is a gothic horror novel that was written by Mary Shelly and was published in 1818, when gothic aesthetic, romanticism and science were beginning to spike in western culture. The novel follows the story of Victor Frankenstein in creating a monster which causes destruction around him, as Victor had ambition and thirst to reveal the secrets of nature. The novel could be viewed as a warning to the readers and audience about having a greed for knowledge and power. Mary Shelley explores the idea of having obtained too much knowledge and curiosity and playing god which involves consequences and dangers that come with it throughout the text. It also compares the human development of emotions and has†¦show more content†¦Robert discontinued his journey of discoveries, taking into account Victor’s advice and emotions that saved Robert from generating his own misery, guilt and regrets. There is a difference referencing creation through the biblical story of Adam and Eve, Victor rejected his creation and then the monster starts to tell his side of his story. By doing this, it positions the readers to feel sympathy for the monster. â€Å"Remember, that I am thy creature: I ought to be thy Adam† – page 66, the creature makes the connections and reference between his creator, Victor and God, himself and Adam. â€Å"Like Adam, I was created apparently united by no link to any other being in existence but his state was far from different from mine in every other respect†. In the biblical tale of Adam and Eve, Adam was cared for and had experienced a happy existence compared to the creature, unlike the monster that was neglected by his own creation and lived in total despair and anger. This powered the monster to be destructive and to swear by to seek revenge on his creator, unlike Adam and Eve, they did not. The difference between Adam and the creation is that, the companionship that is present in Adam and the absent companionship in Frankenstein with the monster. Adam’s creator created Eve as his companion, while Victor did not create a companion for the monster, therefore leaving him feeling lonely and miserable. â€Å"You must create a female for me, with whom I can live in the interchange ofShow MoreRelatedFrankenstein, By Victor Frankenstein988 Words   |  4 PagesLane Johnson Mr. Jones English 12 Honors/4th Period March 15, 2015 Victor Frankenstein and his creation surprisingly share many of the same characteristics. Even though Frankenstein is an ugly, unwanted creature, he and Victor withhold an obvious connection throughout the novel. However, Victor and Frankenstein also share their differences as well. Victor was raised in a very caring and loving home. His parents gave Victor everything he wanted and Victor grew up with great friends. Victor’s parentsRead MoreFrankenstein And Frankenstein Essay1474 Words   |  6 Pagesfictional characters, most famously in John Milton’s Paradise Lost, in 1667, and Mary Shelley’s Frankenstein, in 1818. The complexity of the characters in these texts creates the theme of nature versus nurture before they diverge and arrive at differing conclusions. Many critics arose over the years to contest the main character of Milton’s epic. Shelley, arguably Milton’s greatest critic, wrote Frankenstein to contrast her views on the conflict between creator and creation. She also uses an unconventionalRead MoreFrankenstein1112 Words   |  5 Pagesas a reflection of context. The capacity of thematic concerns to transcend time are manifested within Mary Shelley s 19th century gothic novel Frankenstein (1818) and Ridley Scott s dystopian science fiction film Blade Runner (1992) as both pose markedly similar existentialist discourses regarding the fate of humanity. Through Frankenstein , Shelley s romantic approach condemns humanity s intrusive assumption as creator during an era where scientific hubris prompted people to abandonRead MoreFrankenstein1009 Words   |  5 PagesMary Shelly’s Frankenstein seems to be an exact representation of the ideas of the 17th century philosopher John Locke. In Locke’s  "An Essay Concerning Human Understanding,† he talks about the idea that we as humans are all born with a ‘blank slate’ that contains no knowledge whatsoever and that we can only know that things exist if we first experience them through sensation and reflection. In Frankenstein, the monster portrays Locke’s ideas of gaining knowledge perfectly through worldly experienceRead MoreFrankenstein: Technology1728 Words   |  7 PagesFrankenstein: Technology In Frankenstein or The Modern Prometheus, written in the late nineteenth century by Mary Shelley, Shelley proposes that knowledge and its effects can be dangerous to individuals and all of humanity. Frankenstein was one of our first and still is one of our best cautionary tales about scientific research.. Shelleys novel is a metaphor of the problems technology is causing today. Learn from me. . . at least by my example, how dangerous is the acquirement of knowledgeRead MoreFrankenstein Critique866 Words   |  4 PagesAs Mary Shelley wrote Frankenstein, she poured much time into portraying her characters and making them believable and life-like. Her scenes are painted with beautiful, descriptive words that are colored with vivid emotions and applicable morals. Her life experiences were strategically placed in her writing to convey a sense of reality and completion of plots and subplots. Her experience with failed love ties in with the emotion that she expresses the loneliness of Frankenstein’s creation. She developsRead MoreCharacters in Frankenstein1261 Words   |  6 PagescenterbExamine the way in which characters are portrayed in the novel./b/center br brIn the novel Frankenstein, written by Mary Shelley, the characters have been portrayed effectively. Much of the interactions between characters, and characteristics of the characters have been based on events which have occurred in Shelley s own life, or th ey represent what she believes is important. For example, Victor is portrayed as having a strong passion for science, and a poor understanding ofRead MoreFrankenstein : The Way Frankenstein, And His Creation1275 Words   |  6 Pagesprevalent in Shelly’s novel is the way Frankenstein, and his creation, are controlled by their emotions. Frankenstein is continually ruled by his feelings of fear, guilt, and love throughout the novel. For instance, he works for nearly two years to accomplish his goal of creating life, only to immediately flee because of fear when his work comes to life. This was a major illustration for the reader that despite being an experienced scientist Frankenstein was still ruled by emotions. In a largeRead More Mary Shelleys Frankenstein - Victor Frankenstein is to Blame1046 Words   |  5 PagesVictor Frankenstein is to Blame Can an intense appetency for the pursuit of knowledge result in fatal consequences? In most situations when a strong desire is present consequences are seldom taken into consideration. In the novel, Frankenstein, Victor Frankenstein pursues knowledge in an obsessive manner that blinds him to the possible effects. Victor Frankenstein is the primary cause of his creatures desolation. Indeed, Victor Frankenstein is at fault for the creatures isolation andRead More Victor Frankenstein is the Monster in Mary Shelleys Frankenstein566 Words   |  3 PagesVictor Frankenstein is the Monster in Mary Shelleys Frankenstein   Ã‚  Ã‚  Ã‚  Ã‚  Through out the novel we are under the assumption that the demon in the novel is the man who is disfigured and hideous on the outside. While we view Victor Frankenstein as the handsome and caring victim, even though sometimes a monster cannot be seen but heard. Looks can be deceiving but actions are always true.   Ã‚  Ã‚  Ã‚  Ã‚  We first view Frankenstein’s ignorance while he is busy in his work. He had not visited his family for

Converting Old Telephone

Question: Discuss about the Converting Old Telephone Booths into Advertising Boards in the UAE. Answer: Introduction A telephone booth simply a small structure containing a pay phone found at various corners within a city or a town. The structure has a door for users privacy and a small window that allows other users outside to know that the booth is in use. In most cases, the booth comes with a directory that provides users with local or foreign telephone addresses. Telephone booths may be indoor or outdoor. Outdoor booths are made of hard metallic or plastic casing to withstand wear and tear that comes with the harsh weather. Indoor booths, on the other hand, are found near hotels and are more furnished. In Dubai, most telephone booths found within the city allies and streets have been rendered useless as advancement in technology has moved phone users to mobile phones. Use of mobile phones has turned telephone booths into monuments reminding phone users of how first technology has transformed their lives. However, the absence of payphone users and the lack of use of these booths has offered another great opportunity for marketers and firms to transform these old telephone booths into advertising boards. Old Telephone Booth Vs. new Advertising board in UAE Old telephone booths in UAE are considered irrelevant as most of them have been carted off and torn down since no one is using them. Most of these structures have been converted into payphones which are also rapidly losing their importance as the society in rapidly embracing the use of cell phones. Few that are remaining are being misused for other purposes such as smoking zones and pit stops for those waiting for transport to their homes. In extreme cases, the phone booths have been used as a pickup and drop point for drug dealers within major streets and cities within the region (Rehman, 2008). Whatever is happening in UAE is in tandem with a recent study concerning the place of Telephones booths and payphones in the current digital world. The research notes that this older forms of communication no longer have a place in the techno-savvy society which is characterized with the rapid growth in technology and mobile phone usage. There exist many telephone boxes in major cities and streets within UAE. This provides an incredible opportunity for advertisers who are seeking to reach a large audience within the streets and cities since this booth are conspicuous and can be spotted by anybody. Marketers and advertisers will only need to add value to these already existing structures. For instance running advertisements for service providers on the booths by erecting banners and posters may go a long way in selling a firms products in the middle of the city center with little investment (Marinov, 2010). Value of the advertisement idea Converting the old telephone booths into advertising boards is a lucrative idea for any advertising firm or organization in UAE willing to expand its market base while using little or no resources to do the same. Moreover, these are already set-up structures spread across major city streets and towns. Thus reaching a wider audience will be easier. As mentioned above most Old telephone booths have been rendered useless. As a result acquiring this structures from the owners will cost less compared to current rate of acquiring signage boards for advertisement (Hackey, 2010). Eventually, this will turn out to be a more cost effective form of advertising making it more lucrative. Converting old booths into advertisement board is also easy and takes less of human labor as these structures offer the flexibility of being standalone advertisement boards. Branding the converted booths takes less time and this also makes these structures suitable for this project Promoting designed thinking for the stakeholders in the UAEs Stakeholders in UAE will love the design of this advertising board because of one thing; ease of coming up with the advertising board (Dorst Lawson, 2009). Once the stakeholders have decided on which design method to choose, the rest of the project becomes easier. Converting the booth into a digital signage advertisement board through the use of LED lights may be one of the emerging trends that the stakeholders may go for (Porcu, Del Baario-Garcia, Kitchen, 2012). However, the cost to sustain such an advertisement board may be higher as compared to the traditional advertisement boards where the canvas is used (Tellis, 2009). Use of canvas may be the best choice for this form of advertising where the booth is rebranded using the companys details then a canvas detailing the message the advertiser wants to pass across is erected either on top or adjacent sides (Bereiter Scardamalia, 1993). Apart from the ease of using canvas this method is also relatively and can be spread across all the converted booths at a sustainable cost. This means you will be able to reach a wider audience at minimum cost. Doing digital signage may also be cumbersome especially in areas where electricity may not be available thus the owners may incur extra cost in purchasing a generator to power up the digital signage for it to work. Commercializing the advertising idea in UAE The advertisement idea can be commercialized in UAE since it is viable and offers a great opportunity to firms to market their products cost effectively (Hawkins, Bulmer, Eagle, 2011). Approaching major advertising firms within UAE with this idea requires the entrepreneur to have his figures right regarding operational cost and the number of booths that will eventually be converted into advertising boards. The strong point to this idea is adding value to an already existing structure thus most advertising firms will pick it up due to its cost effectiveness (Schn, 1983). The idea of converting these booths into ultra-modern advertising board through use of Neon lights and digital signage may also attract more advertisers to come on board and support this idea Once the Old booths have been converted into ultra-modern advertising boards, then the next step would be approaching firms and organizations willing to advertise their products on this platform (Saravanakumar SuganthaLakshmi, 2012). Multinational companies like Coca-cola would be more than willing to pick up such an advertising board since it is available on the streets and main allies within the city. Samsung and other phone companies within the cities are other organizations when approached will be more than willing to use this platform to advertise their products (Fletcher, 2008). Conclusion In conclusion, it is evident that the idea of converting old telephone booth into advertising billboards in UAE is achievable. An entrepreneur, therefore, will need to do is research keenly and project how sustainable this project might be. Pitching this idea to advertising firms once the idea has been put into a business plan will go a long way into convincing potential stakeholders that this idea is not only achievable but can turn out to be a lucrative business References Bereiter, C. Scardamalia, M. (1993). Expert knowledge and how it comes about, In Surpassing ourselves: An enquiry into the nature and implications of expertise, (pp. 43-75) Chicago, IL: Open Court Publishing. Dorst, K. Lawson, B. (2009). Expertise in Design, In Design expertise, (pp. 81-112). Oxford: Architectural Press. Fletcher, W. (2008). Powers of Persuasion: The Inside Story of British Advertising. New York: Oxford Hackey, C. (2010). Advertising and promotion: an integrated marketing communications approach. London: Sage. Hawkins, J., Bulmer, s., Eagle, L. (2011). Evidence of IMC in social marketing. J Soc. Mark. 1(3): 228-239. Marinov, H. (2010). Marketing in the Emerging Markets of Islamic Countries, Journal of Islamic Marketing, pg. 81-83. Porcu, L., Del Baario-Garcia, S., Kitchen, P. J. (2012). How integrated marketing communications works? A theoretical review and an analysis of its main drivers and effects. Bus. Soc. 25(1):313-348. Rehman, A. (2008). Dubai Co.: Global strategies for doing business in the Gulf States. New York, NY: McGraw-Hill. Saravanakumar, M. and SuganthaLakshmi, T., 2012. Social media marketing. Life Science Journal, 9(4), pp.4444-4451. Schn, D. A. (1983). Design as a reflective conversation with the situation, in The reflective Practitioner: How Professionals think in action, (pp 76-104). New York, NY: Basic Books. Tellis, G. J. (2009), Generalizations About Advertising Effectiveness in Markets, Journal of Advertising Research, 49 (June), 240-245.

The Graphic Adaptation of The Cask of Amontillado free essay sample

Joe Sacco, born October 2, 1960, is an American journalist and illustrator who is well known for his art-comics, most notably being Palestine: Refugeeland. Refugeeland recounts Sacco’s experience in the West Bank and the Gaza Strip, highlighting the difficult and unpleasant conditions that the Palestinian people were facing regarding the Israeli occupation of Palestine and the Gulf War in the early nineties. Joe Sacco’s writing focuses upon the day to day experiences of a Palestinian from an outsider’s perspective. His meticulous drawings and eyewitness reporting style combine to create a very compelling and complex visual. Edgar Allen Poe was an American author, living from January 19, 1809 October 7, 1849, Poe is best known for his thrilling and macabre short stories. His final short story, The Cask of Amontillado, is a gloomy tale of murderous revenge, set in the catacombs of Italy, and embedded with symbolism told from a first-person narrative. Poe is a master of allegorical writing, his eerie works compel the reader to explore hidden meanings and ideas concealed within his works. Fantographics Books should strongly consider combining the artistic and literary talents of both Joe Sacco and Edgar Allen Poe to create a graphic novel, the detail filled drawings and intellectually stimulating narrative are guaranteed to appeal to the sophisticated and cultured readership of Fantographics Books. Context: Graphic novels are very important to literature. They can illuminate and expose parts of a story to a reader that would otherwise be hidden within the text. Through the use of visual imagery, the reader can gain more information and decipher parts of the story from a graphic novel that would other wise be assumed or lost in the text alone, such as the author’s intent. Graphic novels can also be read by a much larger audience than text stories, this is due to the fact that graphic novels do not solely rely on the text to tell the story. This would be most beneficial for publishing a story in an international market where the story would have to be translated to different languages. The reader can view the images and interpret the overarching idea of the story without having to read the text. An example of this can be seen in Robert Crumb’s visual interpretation of Franz Kafka’s short story, A Hunger Artist. The text version of the story was originally written in German, the story was then translated to English and many other languages around the world. Because of the difference in translations, some of the original meaning behind the story may have been lost. The difference between the text and illustrated versions of the story are very noticeable. An example can be seen in the different descriptions of artist himself. In Kafka’s version, the hunger artist is described as â€Å" a pale figure with enormously protruding ribs. nodding politely. answering questions with a forced smile † (465). In the graphic version of the story, Crumbs depiction is very different from realistic. While it makes no textual description of the hunger artist, it illustrates him as a very disturbed and reclusive man sitting in the back of an animal cage, he is not nodding politely or smiling, and he also appears to be on the verge of death (927). The visual depiction from the graphic novel aids in transforming the readers understanding of the text, otherwise the reader may be lost in translation. Why â€Å"The Cask of Amontillado† and Joseph Sacco: The descriptive details of a captivating story should be at the forefront of importance when beginning to create a graphic novel. It will eventually become the foundation for the drawings. Without such detail, the graphic novel will be unappealing to most readers, and because of this, the sales of the novel will suffer. For the best possible outcome regarding readership and sales, Fantographics Books should publish an illustrated version of Edgar Allan Poe’s short horror-story, The Cask of Amontillado. Poe’s dark and eerie narrative depicts the death of a person by being buried alive from a murder’s perspective. The story is overflowing with vivd imagery and detail. One such example from the story would be when the main character Montresor begins to lead Fortunato down the stairs into the catacombs of Montresor, â€Å"I took their sconces two flambeaux, and giving one to Fortunato, bowed him through several suites of rooms to the archway that lead into the vaults. I passed down a long and winding staircase, requesting him to be cautious as he followed. We came to the length to the foot of the descent, and stood together on the damp ground of the catacombs of Montresor† (724). It is clear to see how much detail is bound into one small paragraph, his choice in adjectives and his use of first-person pronouns such as â€Å"We† and â€Å"I† allow the reader to envision them selves in the story, which is an excellent starting point for developing a drawing. Poe establishes a very absorbing and thrilling tale through his use of such imagery, and this is precisely why Fantographics Books should strongly consider publishing an illustrated graphic version of The Cask of Amontillado. The artist who could best illustrate the graphic version of The Cask of Amontillado would be Joe Sacco. Joe Sacco has a background in journalistic reporting, a career that requires serious attention to detail to clearly and accurately relay all of the facts in a news story. In his artistic renderings, Joe Sacco uses an exorbitant amount of detail, which would mesh well with the many details and symbolisms within Poe’s writings. One such example would be from Joe Sacco’s graphic novel Refugeeland. The illustration in particular is on the second page of the story. It is a two page spread that depicts an arial view of a city. The graphic weight of the image leads the viewer’s eye around the drawing, the primary source being Sacco’s use of crosshatching to fill the different spacial grounds. It is filled with all of the normal things one would see in a city, such as buildings, cars, and people, except every possible space in the spread is filled with the tiniest detail. There are no text boxes or areas for dialogue on this spread, allowing the viewer to contemplate all of the details in the scene. Sacco makes every part of the image important, he doesnt focus on a particular object or person, which allows for different symbols or elements to be incorporated into the drawing. Poe is an author who uses symbolism is all parts of his writings, including character names, settings, colors, and diction. All of these symbols work together to create an intellectually stimulating story that causes the reader to pause and reconsider certain aspects hidden within the writing. The aura of mystery surrounding the setting of Edgar Allen Poe’s writing combined with the first-person perspectives in the illustrations of Joe Sacco would make this an exceptional pairing for Fantographics books to publish. Preview: In the middle of the story there is a scene where Montresor and Fortunato are in the catacombs, it is filled with various complex details describing the ambience of the crypt while the men carry out their vain attempt at finding the Amontillado, â€Å"We passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt, in which the foulness of the air caused our flambeaux to glow than flame the walls had been lined with human remains † (725). In this scene, Joe Sacco will illustrate a two page splash capturing the entire crypt. In this splash, he will capture the intricate details of the catacombs by using hatching technique done with pen and ink. He will show the men descending past the different arches of the crypt from their perspective to make the reader feel like they are walking into the catacombs with the men too. When he illustrates this scene he will use a range of values to establish the fore, middle, and background, this will encapsulate a very important moment in the story that will lead the reader’s eye across the page and provide an opportunity to place symbols that Poe is known for into the drawing. His use of contrasting values in the scene will also convey the tone, which will be very grim and foreboding. Joe Sacco’s elaborate adaptation will be ideal for Poe’s mysterious short story. Challenges and Unknowns: Although it may be argued that Joe Sacco’s background as a journalist is not appropriate for such a monstrous fictional tale like The Cask of Amontillado, especially considering all other artistic possibilities, Joe Sacco is the most qualified artist for the job. Attention to detail is a major necessity for any artist who is thinking about taking on such a detail-rich story like The Cask of Amontillado, which is brimming with symbolism and subtle details. Joe Sacco’s background as a journalist is perfect for The Cask of Amontillado. In his career he focused upon depicting the perspective of the Palestinian people, his eyewitness style of writing is very fitting for the firsthand narration that Montresor delivers to the readers, which is evidence of Sacco’s ability to transform Poe’s writing into a graphic novel. Honorable Mention: Another artistic and literary combination that Fantographics Books could have possibly considered would be the pairing of Art Spiegelman, author and illustrator of Prisoner on the Hell Planet, with A Very Old Man With Enormous Wings by Gabriel Garcia Marquez. Spiegelman’s simplistic illustrations integrated with the magical realism of Marquez would have made for a very interesting combination. Visually, it would be very stimulating. Spiegelman has a sort of crazed intensity to his drawings, I think it would have been fun to see the bizarre happenings of A Very Old Man With Enormous Wings portrayed in a woodblock printing style. Ultimately, I decided to work with Sacco and Poe because visually and allegorically there is so much more to work with. I enjoy the macabre and thrilling nature of Poe’s writing more than magical realism that Marquez is known for. I also enjoy the realistic and complex style that Joe Sacco has as compared with Art Spiegelman, whose drawings are rather flat and disorganized.