Marlon Brando won the Academy Award for his performance in The Essay

Marlon Brando won the Academy set apart for his performance in The Godfather movie but he ref utilize the Oscar. Examine how this pseudo - Essay Example patch trying to avoid the paparazzi seems to be the desire of those who have a pubic persona, in truth, without publicity, the success of a career would most likely not reach the level that has put them in the public eye. In 1973 Marlon Brando was nominated for an Academy Award for his performance in The Godfather (1972). Brando attempted to function his status and repute, and the event of his receiving the award, in order to promote his personal agenda in defending the occupation of Wounded Knee and the lease of the Native Americans. The creation of pseudo-events have been a framing factor in the way in which the media has been used in order to create eminence. The media uses celebrities to create sensationalized storied through which they sell their information point of intersection, while celebrities use the media in which t o frame their image in the eye of the public in order to sell their product - themselves. Some whiles, however, as in the event of the 1973 Academy Awards, celebrities use their status in order to sell an musical theme to the public, to support an agenda that is outside of the framework of the reason that they had become celebrities. Celebrity As Daniel Boorstin suggested, celebrity is the narrate of being known for being known, a fabrication of human immenseness based on expectations of greatness (Turner 5). The power of celebrity has reached proportions to where the public looks to the famous in order to find truths rather than to the ranges who are of import to an issue. Cashmore states that society puts an extravagant value to the lives of celebrity through a preoccupation with people who will never actually have a connection to the average person (1). The context for the emergence of the concept of celebrity is delineate by the conditions under which the right mix of circ umstances allowed causes to trigger the overall effect. Cashman cites the seminal time period being the 1980s in which the media began to expand and grow in influential power and at the same time, a general loss in confidence diminished the power and influence of governmental leadership (Cashman 2). However, the power of celebrity had been growing from the time of the emergence of the film industry. . Celebrity culture emerged from a consumerist society as people became commodities on a much larger scale than had ever originally been established. As the perfection of scripted lives from the stories within the movies was transferred onto the embodiment of the characters through the actors who portrayed them, an expectation grew around the figure of the celebrity. That expectation was fed by the media who made reports that either confirmed or denied the perception that the public had about(predicate) an individual. The job of the publicist was to try to control the information, att empting to provide a public framework for the sale of the celebrity image in order to create a forward continuation of his or her career. The media is a son of a bitch of sales, the release of information the advertising on which a person is commoditized. Celebrity is primarily an invention of the twentieth century, an invention of media production in which the individual is known for being known (Giles 4). The concept is not defined by profession or